1 dribbles to the left wing as 3 sets a screen for 4 at the top of the key. 4 cuts to the basket and 3 steps towards the ball. If neither option is open, 4 screens across the floor for 5. 4 then cuts around a staggered screen for 2 and 3. 1 looks to pass to 5 at the basket or to 4 for a shot. See More
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1 dribbles off of a ball-screen from 5 as 2 crosses the baseline off of a staggered screen from 4 and 3. Once 1 clears the screen and looks at 2, he can turn back to the right to pass to 4. Once 4 has the ball, 1 clears to the corner opening space for 5 and 4 to play a 2-man game. 5 sets a screen for 4 on the wing and 4 attacks middle. See More
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The first look typically begins with the 4 and 5 man free-throw line extended and the 2 and 3 under the basket. Each player can then pop out on their respective sides, using the down screens (pin downs) set by the bigs. See More
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A DHO entry to Floppy will most likely be on the wing Guard to Guard. This means the point guard would speed dribble pitch the ball to the corner wing coming up. The wing will now become the point of initiation and the point guard will be come the activated player. This look most likely proceeds to be a back screening action by the strong side big. The popular version employed by the San Antonio Spurs involves a guard-to-guard DHO and a triple staggered baseline screen for Tony Parker who sprints the base line to find the scoring option on the weak side. Important to not the weak side wing must be the second screener I order to prevent a switch on the final screen, thus negating any type of advantage or open shot. Once the defense gets use to the triple baseline screen, Tony Parker will often times enter and exit the same side, thus showing us a DHO into a traditional Floppy Look. See More
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Our Floppy Drop is a great way to take advantage of a good post up guard. As the activated player uses the double pin down from the PF and SF the C flashes to the elbow. The PF then clears to the weak side corner, the SG settles on the wing while the PG hits the 5 at the elbow. The SF remains in the low post and looks to find deep postposition for a drop pass or easy score in the paint. This is especially effective when you have a height and strength advantage at the SF position. See More
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Floppy Chest has a few slight tweaks. As the guard comes off the pin down he curls to elbow much like the “flow away” look that results in an Angle PNR, with the corner filled. In this case we will look to empty the corner, thus as the guard curls off the pin down the second guard follows and fills the strong side corner, thus leaving the other side of the floor naked. On the elbow catch the weak side big then sets a flare screen on the PG who not only “flows away” but uses the flare screen and with then empty corner has much room to operate. See More
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Floppy GO differs from Floppy GET in that the big who set the primary pin down will then continue to set a block to block screen for the weak side big. The weak side big then sprints to the SPNR, presumably with is defender unattached. The benefits of this are late or non-existent PNR coverage. Thus a good screen in the PNR will allow the wing to get to the middle of the court and cause a mismatch or present an advantage. See More
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Punch indicates that after the small uses the pin down and receives the ball on the wing the big who set the pin down will post up. We then look for a post entry, after which team philosophies take over (cut through below the block, down the middle, split the guard or space). See More
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Floppy ran with Fist action indicates that the weak side big will sprint to the PNR. Thus after the small uses the pin down and receives the ball on the wing, the weak side big will be in full sprint to the SPNR. The big that set the pin down will then relocate to weak side dunker or elbow. If he relocates to the elbow and the ball is kicked to the flow away PG, the big can again set an Angle PNR. See More
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When Floppy is ran as a GET action, this can indicate that the strong side big who set the pin down is the activated on ball screener. Thus the wing receives the ball, the strong side big will then sprint to set the PNR, this can be an SPNR or a Step Up depending on the defense and the coverage. From there the weak side players will space, filling corner, wing and dunker (duck in zone). See More
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Another way to initiate Floppy is out of a Diamond set up. This time the activated shooter is starting under the basket with single pin downs from the bigs on both sides. Again he can choose which way to go and again the secondary guard will exit the opposite direction. The only difference in this set up is that the secondary guard is starting at the nail (the middle of the free-throw line). This means that when he exits the opposite direction of the activated player, instead of him using a pin down, he is using a pinch fade or flare screen. Thus if the activated shooter uses the single pin down on the left side, the secondary guard will use the pinch fade on the right side. See More
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Boston Celtics Head Coach Brad Stevens drew up this quick – hitting last second BLOB set against the Toronto Raptors last season to get Marcus Smart an open shot coming off double staggered screens. See More
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1 dribbles to the right wing pushing 2 into the lane to cut around 5. After 2 clears, 5 cuts to the opposite corner. 1 passes to 2 who passes to 4. 4 looks to pass to 5 in the corner for a shot. 3 sets a back-screen for 4. 5 looks to make the lob pass to 4 for a dunk. See More
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The Washington Wizards were tied with the Orlando Magic with 0.8 seconds remaining last December. After calling a timeout, Coach Randy Wittman drew up this SLOB set designed to get one of his better shooters (not named Bradley Beal) coming off a quick screen and then slice to the corner to clear out the help and the lane area to open up the rim. Beal, the athlete/dunker in this set, simultaneously comes off a screen from a big and then rolls back to the rim for the game winning lob lay in. See More
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This is a great conditioning drill for pre-season and you can build it all year with different time frames and different movements. See More
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