Creighton Side Double
09/10/2015A man offense set from Creighton involving a high ball screen and then staggered ball screens for a slashing guard. Provides several looks to score. See More
Favorite Send to FastDrawA man offense set from Creighton involving a high ball screen and then staggered ball screens for a slashing guard. Provides several looks to score. See More
Favorite Send to FastDrawNice pressure release set from the Bulls to get a "Blind Pig" pass for a backdoor cut. See More
Favorite Send to FastDrawEarly offense from Brad Stevens and the Boston Celtics, looking for the first big man down the court to empty the post and step up to set a ballscreen for the point guard on the wing. See More
Favorite Send to FastDraw1 dribbles right as 2 sets a cross-screen for 3. 1 passes to 3 in the corner. 5 then sets a cross-screen for 4 who cuts into the lane. If 4 isn't open, 5 screens for 2 who looks to shoot at the top of the key. See More
Favorite Send to FastDrawNBA TV recently showed on their "Hardwood Classics" the 2003 NBA Finals between the San Antonio Spurs and the New Jersey Nets. In Game 6 late in the 2nd Quarter, the Spurs ran this quick hitter to get a pick and roll action with Tim Duncan and David Robinson. Duncan was able to hit Robinson rolling to the rim for a dunk. See More
Favorite Send to FastDrawThe Memphis Grizzlies ran this terriffic set to get Mike Conley an open look to attack the rim. This was in Game 1 of the 1st Round of the 2015 NBA Playoffs at home against the Portland Trailblazers. The Grizzlies ran this set to start the 3rd quarter and got a quick bucket from Conley to extend their lead. See More
Favorite Send to FastDrawIn this play, 1 passes to 5 at the high post. Once 5 gets the ball, he turns and looks at 2 making a hard cut to the basket. If 2 isn't open, the players rotate with 2 moving to the corner and 4 cutting to the rim. If nothing is open, 5 gives the ball to 3 on a dribble hand-off as 4 looks to get position on the right block. See More
Favorite Send to FastDraw1 passes to 2 then loops to the opposite corner around 5 and 4. 2 dribbles to the top of the key as 3 replaces 2. 2 passes to 1 then cuts into the lane. If 2 isn't open, 1 passes to 5 at the top of the key. 5 looks to drive middle or can give the ball to 2 on a dribble hand-off. If 2 doesn't have anything, he passes to 4 as 1 screens for 3. 4 can dribble left to give the ball to 3 on a dribble hand-off if open. See More
Favorite Send to FastDrawThis drill is a good conditioning drill for workouts See More
Favorite Send to FastDrawDisrupting common back cut actions with pressure man principles See More
Favorite Send to FastDraw1 passes to 4 who passes to 2 on the opposite wing. Once 2 has the ball, 4 and 5 set a staggered down-screen for 1. 1 cuts out for a shot. If 1 doesn't have anything, he looks to pass to 5 curling around a staggered screen from 2 and 3 in the lane. See More
Favorite Send to FastDrawGonzaga set that could be run from Horns (shown), box or 1-4 High Yields a shooter coming off a flare screen, a shooter coming off stagger and a guard post up. See More
Favorite Send to FastDrawWe start by forming a triple stack on either block with our player being guarded M2M on top. To initiate the action, the point guard uses a freeze dribble to attack the top defender in the box and the players forming the stack set a double screen on the low box defender and the middle guard looks to pop out to shooting range. If the bottom of the zone shifts out quickly to defended the short corner/corner shot, the ball side post immediately screens away and brings weak side post across the hoop for a baseline bounce pass. If nothing develops on this action a quick pass to the point guard followed by a ball screen by the guarded player and the action can be run to the other side. If at anytime the bottom box defender anticipates the corner pass, the point guard can ball fake and immediately hit the post player slipping the screen on the block. You can also run this play with your player being guarded M2M as the baseline runner. See More
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