Zone Flare - Georgia
06/23/2016This is a play we used to win a game this year. It is best used against a 2-3 zone. See More
Favorite Send to FastDrawThis is a play we used to win a game this year. It is best used against a 2-3 zone. See More
Favorite Send to FastDrawNew Zealand opens up a quick shot on this flare counter play. The guard cuts towards the top of the key and when the defender jumps the cut he flares back to the right. See More
Favorite Send to FastDrawThe Warriors get an open shot for Klay Thompson by passing in to the post then having Livingston set a flare screen for Thompson to cut to the wing. If the shot isn't there right away, the big can move out from the block and set a step-up ball-screen. See More
Favorite Send to FastDrawI saw the Cavaliers run this play a couple of times in the second half. It starts with LeBron having the ball and a horns ball-screen into a flare-screen for the ball-screener. After setting the flare-screen, the big moves toward the ball to set a high ball-screen. See More
Favorite Send to FastDrawOnce again, Latvia runs a guard across the floor to the opposite wing and a flare screen from the post. Once 2 has the ball, they move into a cross-screen/down-screen action. See More
Favorite Send to FastDrawHere is that Iverson/flare cut type action with 2 running across the floor from the left wing to the right. If 2 isn't open, they run a cross-screen/down-screen action for 3. See More
Favorite Send to FastDrawLatvia likes to run cutters off of an Iverson/Flare cut type action from one wing to the other. In this set, they run 2 from the top of the key out to the wing and screen across for 5. See More
Favorite Send to FastDrawThe Golden State Warriors ran a stagger baseline screen for 2 to the right wing. The ball was reverses in the secondary break from the point guard to the trailing big over to the 2 guard on the right wing. The second screener in the original stagger screen then turned and set a cross screen for 4 to the post. 2 enterered the ball in the post to 4 on the right block. As soon as he entered the ball he got a "flare" screen from 5 for the top. Once the defender guarded that action the 5 immediately turned and set a "fire" screen, which is a re screen back towards the ball, for 2. 2 caught the pass out of the post from 4 for a jump shot. See More
Favorite Send to FastDrawIn this set, Serbia starts with a pass to 4 and a quick pass back to 1 as 1 moves from right to left. 4 then flares off of 5 and 5 sets a ball-screen for 1. See More
Favorite Send to FastDrawThis is a great competitive catch and shoot drill. You can use one or two partners and two balls-(one can be the passer and the other a rebounder). There are 5 spots on the floor-also 5 shots that are within most offenses. There are a few options for this drill: 1) First one to hit 5 consecutive shots wins. 2)How many can you make in 1 minute? 3) How many can you make in 2 minutes? Challenge: Shooter cannot move until he hits two in a row from each spot. If he misses more than three in a row he starts over. See More
Favorite Send to FastDrawBrad Stevens and the Celtics dealt with Isaiah Thomas being denied for much of their series against the Atlanta Hawks, and this was one counter that Stevens came up with to utilize Thomas. By having Thomas, who was denied, set a flare screen for Jae Crowder, there was no help defense as Crowder caught the ball uncontested on the wing. See More
Favorite Send to FastDrawA shooting drill that allows guards to practice shooting off the floppy action in various situations. See More
Favorite Send to FastDrawThis action is how Syracuse scored their first basket against North Carolina in the Final Four. It is a great play with Syracuse’s personnel utilizing #10 Cooney and his shooting ability. The action begins with the high ball screen while Cooney flares off a screen looking for his shot. When he doesn’t have a shot the other post sets a side ball screen for him to attack the basket. See More
Favorite Send to FastDrawCounter to the normal box screen the screener set, into an elevator look. See More
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